Sabtu, 14 April 2012

Download PDF Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind

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Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind

Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind


Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind


Download PDF Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind

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Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind

About the Author

Terry Goodkind is the author of the worldwide bestsellers making up the Sword of Truth and The Nicci Chronicles series, and the #1 New York Times bestseller The Omen Machine. He lives in Henderson, Nevada.

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Product details

Series: Sister of Darkness: The Nicci Chronicles (Book 3)

Audio CD

Publisher: Brilliance Audio; Unabridged edition (December 31, 2018)

Language: English

ISBN-10: 1543639305

ISBN-13: 978-1543639308

Product Dimensions:

5.2 x 0.7 x 6.8 inches

Shipping Weight: 3 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

111 customer reviews

Amazon Best Sellers Rank:

#335,701 in Books (See Top 100 in Books)

A: When Terry Goodkind is writing it...;)Siege of Stone is without a doubt the best book of this trilogy, or series. What I liked especially about this book was how infrequently Goodkind repeated himself! His writing is definitely improving because Terry's usual writing style reveals a driving fear rooted deep within his psyche that demands repetition because he is certain the reader didn't get the message the first time he wrote it--or the second, third, etc....;) This book was exceptionally well-written in that regard--I saw it immediately and was very pleased to see that Terry remained consistent throughout. I think this is his best-written book, thus far, because of that. As an author, Goodkind seems more poised and relaxed; more confident--he knows, now, that people are listening. It's an important point for any writer because repetition borne of insecurity can positively slay a story.The resolution of this three book story I found satisfying--but not as satisfying as it could have been. A trilogy would have resolved all of the plot lines by its conclusion, leaving none open (that's my preference, anyway.) Terry resolves some, leaves others open--or does he? It isn't plain, but my guess is that the "Nicci Chronicles Trilogy" now is open ended and Terry wants at least another book, here. Here's where things get dicey.Nicci's mission with Nathan was two-fold, to explore the Old World and to promote the knowledge of Richard's empire in every locale and to every people. That mission left open many intriguing discoveries waiting to be made and I saw it as a new chapter in the story. The fate of Ildakar was the theme of Siege--supposedly the third book in the trilogy--and yet that fate is anything but resolved by the end of Siege. New Jagang-like enemies appear, and I got the sense that everything we saw in the first 10-11 books is about to....repeat. Just the names (some of them) and locations have changed, but the story looks much the same. I sincerely hope not!I gave Siege four stars; would give each of the earlier books in the "trilogy" three stars--only because of the repetition factor I've already described. Goodkind has real charm as a story teller, and I have always enjoyed him, even if he is a bit "annoying" at times. I say that in a nice way. Oh, yes--I much appreciated Terry toning *way down* "Sweet Sea Mother!" in the third book--during the first books I kept asking myself why Bannon knew no other curses..! If I had heard, "Sweet Sea Mother!" one more time I would have voted to spit and cook Bannon over a roaring fire--just to be excused from hearing that again! If Bannon is going to swear and curse, I really would suggest that Terry be far more inventive!...;)All I have to do now, I guess, is wait to see where this Goodkind universe is headed from here! And I *will* be waiting!

I have to admit that it was a bit hard to get back into this story. First, it's been awhile since the last book. Second, with each chapter switching POV, I found myself less enthusiastic than I had thought I would be to read it. It was a lot of "wait, who is this, what are they doing?" each time the POV switched. It probably took me until maybe half way through for me to truly get into it.Nicci, Nathan, and the people of Ildakar sure have a lot to deal with this time around. With General Utros' stone army coming back to life, it's a fight to save their city from soldiers that need no food or sleep, and have hardened skin. Lots of plans are made, and while the people of Ildakar have some victories, General Utros' army has many soldiers in its ranks to fight back.Meanwhile, the Norukai are forming plans and a naval army to conquer the world as well... and they're coming for Ildakar too.This story has a lot of angles to it, causing the reader to get into the heads of many characters as each of their paths converge on the city of Ildakar.The end leaves our heroes split, unsure if/how they will come back together, and the last few paragraphs honestly made me say, "Oh, crap. This isn't good." I'm awaiting the next book to see how our heroes get out of this new, rather large problem.

Like many others I fell in love with Richard Rahl and the Sword of Truth Series. I read the last three books of the series even though in some places they dragged a little...even Terry Goodkind not at his best it’s still always wonderful to re-enter into the world with the characters he created that we love.Ok Sister Nikki...Deaths Mistress, this series...it’s OK. I’m a little bummed that It’s an extended story arch. I really liked the format of the SOT where it was three books and new villains and stuff to overcome.There’s much to not like about the past couple of books...many of the characters are really forgettable, there’s nobody that’s super lovable or interesting...Goodkind also seems like he has to meet length quotas or something because he is ultra repetitive in his last several books...repetitive to the point of someone being able to skip to anywhere in the book and read exactly what happened to General Utros love Majel...4/5 but mainly because if you’re a sword of truth fan you’re not going to hate this book.

Ok, so I love the Sword of Truth Series and this series is a great continuation of Nikki and Nathan. Yes, it gets repetitive, yes, it is written in true Terry Goodkind fashion. It is exciting and fun - and the end sets it up for another book. Given all of the books "out there," I never regret buying any books in this series. There is violence, but there is no detailed sexual scenes - a huge relief over a lot of the books "out there." Terry Goodkind writes a great story line, has several different scenes going at once, and ties everything together. If you liked the Sword of Truth Series, you'll like this book. For me, I'm ready for the next book! Love it!

Maybe it's my own fault, I just re-read the entire SOT series and followed it with the first two Nicci Chronicles, so by the time I started working on this book I was totally OVER Terry Goodkind. I literally had to force myself to keep reading to the end of this book. I was starving for some new stuff by him but it's so repetitive! Yes, I read the first two books Terry, I don't need to be reminded every other page of what's happened in the story so far! SOT series started out so great, but I think he lost it somewhere along the way and filled page after page rehashing the same old stuff (It became almost painful to keep reading!) It's like he had a short story and tried to find a way to stretch it into a 300 page book. Wish he'd spend some time developing the story and characters and trust us to get what we're reading instead of reminding us over and over!!

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Siege of Stone (Sister of Darkness: The Nicci Chronicles), by Terry Goodkind PDF
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Jumat, 13 April 2012

Ebook Free SPORTS BETTING: What Bookmakers Don't Want You To Know With 17 Golden Rules Of Betting

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SPORTS BETTING: What Bookmakers Don't Want You To Know With 17 Golden Rules Of Betting

SPORTS BETTING: What Bookmakers Don't Want You To Know With 17 Golden Rules Of Betting


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SPORTS BETTING: What Bookmakers Don't Want You To Know With 17 Golden Rules Of Betting

Product details

Paperback: 105 pages

Publisher: Independently published (May 11, 2017)

Language: English

ISBN-10: 1521167931

ISBN-13: 978-1521167939

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 11.8 ounces (View shipping rates and policies)

Average Customer Review:

2.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,086,308 in Books (See Top 100 in Books)

This book is full of typos and mathematical errors. Did anybody edit this?

book was ok

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Kamis, 05 April 2012

Free Ebook Here (Pantheon Graphic Library), by Richard McGuire

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Here (Pantheon Graphic Library), by Richard McGuire

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Here (Pantheon Graphic Library), by Richard McGuire


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Here (Pantheon Graphic Library), by Richard McGuire

Amazon.com Review

An Amazon Best Book of the Month, December 2014: I love older buildings. I live in one now, and despite the single circuit electricity that shorts-out on a regular basis, the lack of insulation, and other aspects of its “charm,” the place has tales to tell. And I’m a sucker for stories. Who lived there before me? What were their lives like? Whose idea was it to paint the living room baby diarrhea green? But my limited imagination only goes back a hundred or so years, when the apartment was first built. In Here, groundbreaking graphic novelist Richard McGuire takes it much, much! further—visualizing the goings-on in a specific corner of a specific room over the course of hundreds of thousands of years (past, present, and future). The result is an orgy of the ordinary that is slyly clever and unexpectedly moving. McGuire first conceived of Here in 1989. It was a six-page comic whose influence ended up being as enduring as the room in which it is set. So, the arrival of this expanded edition is cause for much celebration in graphic novel circles, and as it turns out, in mine as well. I don’t typically read graphic novels, but Here is anything but typical. And, when I sit in my little corner of the world, I’m envisioning the future for a change—all the book-loving brethren who will inhabit that space after me, who I hope will discover and delight in Here, too. –Erin Kodicek

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Review

**A New York Times Notable Book of 2015**Luc Sante, The New York Times Book Review“Brilliant and revolutionary…. In “Here,” McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as trans­temporal windows into the larger frame that stands for the provisional now. “Here” is the ­comic-book equivalent of a scientific breakthrough. It is also a lovely evocation of the spirit of place, a family drama under the gaze of eternity and a ghost story in which all of us are enlisted to haunt and be haunted in turn.” Chris Ware, The Guardian“A book like this comes along once a decade, if not a century…. I guarantee that you’ll remember exactly where you are, or were, when you first read it.”Jennifer Schuessler, The New York Times“Getting from here to there can be hard enough. But it has taken Richard McGuire 25 years to do something even more complicated: get form here to here….the book promises to leapfrog immediately to the front ranks of the graphic-novel genre.”Etelka Lehoczky, npr.com“The magic of Here is that somehow, alchemically, this sparse little exercise begins to yank on your emotions. As your eye lurches around the page, as you flip back and forth between pages, an irresistible sentiment swells. Rare among conceptual works, Here manages to tug your heart even as it undercuts your comfortable role of reader.... Meanwhile, though, the past and present humans continue their tender little lives. Telling stories, playing, making love — what will be their fate? That’s just one of the countless questions Here leaves unanswered. Even so, it’s deeply satisfying. Kind of like a story that never ends.”Marnie Kingsley, San Antonio Current“Imaginative and ingenious, Here transcends the canon of traditional graphic novels. McGuire discusses the inconsistencies of memory, a central theme of Speigelman’s Maus series. He readapts the labyrinthine quality of Alison Bechel’s Fun Home and focuses on the small moments of everyday experience, similar to parts of Craig Thompson’ autobiographical graphic novel Blankets. However, Here retains almost no qualities of a novel: It is non-linear, there are no distinct characters, apart from the space, and there is no plot. Despite these seemingly large hurdles, McGuire produces a reading experience that is emotional, thought-provoking and interactive.... A brisk and brilliant read, Here combines genres and styles in a meditation on impermanence and the processes of memory.”Financial Times“McGuire is able to wring a surprising array of emotions from simple lines and blocks of muted colour interspersed with deliberately hackneyed jokes and the uncanny wisdom of the everyday. And the non-chronological arrangement seems faithful to how consciousness really works, the way we shape and reshape the story of ourselves by editing and re-editing highlights from our lives. I found it compelling to shuttle around in time to discover how earlier events informed later ones. Midway through the book one character says to another: ‘Life has a flair for rhyming events.’ Clearly, McGuire does too.”Straight.com“Even as the ground beneath your feet falls away, McGuire creates poetry out of the echoes that’s both playful and moving.”Minneapolis Star Tribune“For the long-awaited book-length ‘Here,’ McGuire adds lavish color and some plot, but he preserves the captivating, uncanny sense of love, anger and tragedy flying across the centuries while staying in one place.”Dominicumile.com“A new, full-color graphic novel version of Here is stunning. Over more than three hundred pages, McGuire revisits and rebuilds his original strip with flashy interiors set in vivid pastels, and landscape sequences fleshed-out in moody watercolors, computer software-built textures, and sketchy pencil lines….. memorable and executed wonderfully” Patrick Lohier, Boingboing.net“I soon found myself immersed and often moved. Here has the surprising depth as a magician’s top hat. The combination of the surreal and the nostalgic are mesmerizing. The book is an ingenious epic of time and space, and I think readers everywhere, and of many ages, will find it delightful.”Publishers Weekly (starred review)“Expanding on an influential piece that first appeared in Raw in 1989, McGuire, best known for his illustrated children’s books, explores a single patch of land (apparently in Perth Amboy, N.J.) over the course of millions of years…. The flat, hard lines produce art that looks like an approximation of Edward Hopper’s clean bright paintings, created on an outdated computer program. McGuire threads miniplots and knowing references through his hopscotch narrative, building up a head of steam that’s almost overwhelmingly poignant. His masterful sense of time and the power of the mundane makes this feel like the graphic novel equivalent of Terrence Malick’s The Tree of Life.” Kirkus Reviews (starred review)“Later spreads flash with terrible and ancient supremacy, impending cataclysm, and distant, verdant renaissance, then slow to inevitable, irresistible conclusion. The muted colors and soft pencils further blur individual moments into a rich, eons-spanning whole. A gorgeous symphony.”Booklist (starred review)“McGuire’s quiet artwork in a subdued full-color palette reveals nuanced gestures beautifully, sometimes with precise lines, others in sketchy sepia tones, all of which emphasize the passage of time. The concept is stunningly simple, and in laying bare the universality of existence—its beauty, ugliness, and mundanity—it is utterly moving.”

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Product details

Series: Pantheon Graphic Library

Hardcover: 304 pages

Publisher: Pantheon; 1 edition (December 9, 2014)

Language: English

ISBN-10: 0375406506

ISBN-13: 978-0375406508

Product Dimensions:

6.8 x 1.1 x 9.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

94 customer reviews

Amazon Best Sellers Rank:

#23,625 in Books (See Top 100 in Books)

Hey fellow Amazoners. I'd like to start off this review by saying that I'm an avid comic book reader (mostly of DC and Batman stuff). If you read superhero type comics, then this will be a totally different experience than what you're used to. This graphic novel is like nothing I’ve ever read before. it's a seemingly simple concept that manages to deliver a multilayered and intriguing tale that tackles the old thought of “if these walls could talk”. It's a story that follows several narratives over time from the perspective of one corner of a room. These stories, though separated by mass stretches of time, some how interweave and connect on various levels ranging from deeply thought provoking to humorously mundane. There's a certain mystery to some of the stories as elements are revealed in tiny subtle fragments at a time. It is up to you, the reader, to piece these fragments together in order to see the full picture.It was truly a joy to flip though these pages and it was a pleasant break from my fast-paced Batman comics. It's not for everyone since the concept is so unique, but if you’re into unique and original graphic novels, then you will most likely find this enjoyable.

This was released near the end of 2014 and Chris Ware (of Jimmy Corrigan and Acme Novelty Library fame) wrote a fascinating review for the Guardian on December 17 that year. He wrote that this was "mind blowing" and incredibly influential. A 6-page version of this 300+ book appeared in Raw comics in 1989 - and Ware claims that it was hailed as monumental back then. I highly recommend reading that review after finishing this masterpiece.It's the story of a place on Earth - a specific place. All the action is centered in a living room of a house. This house exists from the early 1900's into the mid 2100s. McGuire moves us far back (to 1870, 1775, 1620, 3M BCE) and forward (2051, 2113, 10000 (or so)). We see what was in the space before the house, way before the house, and after the house.The time of the house's existence gets the most attention, and we see the wallpaper and paint change from 1914 to 1933 to 1959 to 1971 to 1986 to 1999 to 2007 to 2016. McGuire does an amazing job illustrating different chairs, clocks, televisions, clothing, lamps, paintings, tables, toys and other items that define a place in time. Those details are truly remarkable and stunningly accurate - it would be fascinating to watch or read an interview with Mr. McGuire and find out how much time he put into researching the Tiffany lamp or the old wooden rocker and other items.Most significantly, he shows us how humans (and creatures) are all after the same things: eating, communicating, sleeping, romancing...simply and positively living. We see several families come and go, husbands and wives interact, children go, people age and die.Even though it is never said, the house is set in NJ. It is evident because Benjamin Franklin and his son have a quarrel in a neighboring house in 1775. Franklin's son was the last colonial governor of NJ.

Here is a text unlike anything I have ever "read" and has to be seen to be understood; I unfortunately cannot do justice to describing it as I have not entirely figured out how to describe it. In essence, Here is a graphic novel, wherein each page is a two page spread of the same space shown from the same angle. Each page has a primary backdrop of this space with its year identified, then inserts vignettes of other periods throughout history (and the future) of something else happening in that same space. And through these vignettes, the author is able to comment so much on life, what it means to be human, the importance and meaning of a space, how we all age, love, loss, our habits, and, ultimately, how we are all - in some way - connected through time.There is no narrative in Here, but it is full to the brim with stories. It is non-linear. You could have 5 pages in a row set in 1972, with the main action spanning only a matter of moments - with peeks into other times where something similar (or something irrelevant) were happening in the same space. On the other hand, one page may show 3,000,000,000 BC and the next 1915 and the next 1775. The space itself is the main "character." But through the timestamps, you come to identify other characters and flip back and forth watching their lives progress. Sometimes a vignette covers some detail in the room, to be revealed later by carefully noticing that the time of the setting was the same as something previously glimpsed. It seems every image is extremely deliberate and packed with meaning. Here is driven by subtext and attention to detail - yes, there is some dialogue (sometimes a "conversation" spanning centuries, unbeknownst to the characters shown in the space, but offered clearly clear to the reader), but not such that it is used as the driving vehicle of the text. Spoken word is offered more as a reflection. I could not put this down - when it first arrived I flipped it open and, immediately intrigued by the concept, flipped around a bit. I got home from work and started at page 1. Before I knew it, I was a small chunk of the way through and absolutely needing to attend to something else - I begrudgingly put it down. The next time I picked it up, I did not put it down until it was finished, and I had sufficiently flipped back and forth to get a clear picture. It is a mesmerizing work and it is entirely unlike anything else I know.I have never experienced something where the medium itself plays such a role in the narration, is so defining, and is so unique. There were moments where my jaw dropped out of disappointment of shock at something happening in the space. There were times I would smile as something relatable to my own life was captured. There were moments of deep connection, seeing what life for my parents must have been like (even moments I felt I almost recognized from photos of their youth) or of my more distant ancestors. There were times I chuckled at a clever use of medium by the author, and numerous times I simply had to stop to say "that is brilliant. Simply brilliant." There were revelations, when something was uncovered, or a character reappeared that force deep introspection. The visual medium (and simply, blotchy almost watercolor style artistry) made this a history tangible in ways text alone never could be. And beyond that, given the static viewpoint, the role of perspective, and the way objects appear as different sizes and play with perspective in the space across time, make this a joy to look at and something that makes you want to pay attention to the details.Overall, Here is shockingly powerful and a massively pleasant surprise. It has the emotive force of great art, provided as a collection that I bet will reveal more and more with repeated visits, and which begs to be revisited. It has been a long, long time since something has been so fresh and has so resonated for me.

A new language in graphic novels has arrived. It tells a story by not telling a story. It can explain eternity in a small suburban living room. It proclaims statements on the human condition, precisely by not telling a story about humans.The pages contain mostly a few meagre frames, always of the same threadbare room, tinted in the palette of faded memories, yet the myriad stories they tell us! The way they overflow through time and space, with their unique power to summon our sense of insignificance, and celebrate our uniqueness at the same time, and most importantly, their refusal to be shackled into a single genre: all of these breakthroughs conspire to give us a breathtaking and stunning experience that is Here.

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